Notes related to United States

Locust Projects presents Bare Tool (Herramienta desnuda), a new exhibition by artist Alexandre Arrechea that explores the action of a stone skipping across water as a metaphor for “social sculpture” and the resulting ripple effect, which the artist envisions in three acts: “The Tool,” “The Action,” and “The Implications,” unfolding as a large scale, immersive multimedia experience that invites reflection on the power of individual acts.

Shifting Landscapes is a group exhibition at the Whitney Museum that explores how constantly evolving political, ecological, and social landscapes inspire artists and their interpretations of the world around them.

The Museum of Contemporary Art (MOCA) announced two winners of the inaugural Eric and Wendy Schmidt Environment and Art Prize: Julian Charrière (b. 1987 in Morges, Switzerland; lives and works in Berlin, Germany) and Cecilia Vicuña (b. 1948 in Santiago, Chile; lives and works in New York, NY and Santiago, Chile). Each artist will receive 100,000 USD and institutional support from MOCA to develop a commissioned project addressing the critical intersections of art, climate change, and environmental justice.

Santa Barbara Museum of Art presents the exhibition Accretion: Works by Latin American Women, with works from artists from the United States but with roots in Argentina, Colombia, Costa Rica, Cuba, Guatemala, Mexico and Peru.

The Brooklyn Museum announced the selection of more than two hundred artists for The Brooklyn Artists Exhibition, which will open on the occasion of the Museum’s 200th anniversary. This extensive group show highlights the remarkable creativity and diversity of Brooklyn’s artistic communities. Reflecting on a rich history of fostering creativity and championing artists of all backgrounds, the Museum’s bicentennial is an opportunity to honor the borough’s artistic heritage while looking towards the future.

The Hirshhorn Museum will present the first US museum survey and largest US exhibition of work by identical twin brothers Gustavo and Otavio Pandolfo (b. São Paulo, Brazil, 1974), known globally as OSGEMEOS—Portuguese for “the twins.” The yearlong, full-floor presentation will bring together approximately 1,000 artworks, photographs, and archival materials to highlight the trajectory of their collaborative multidisciplinary practice, including the roots of their fantastical artistic language, inspired by their upbringing in urban Brazil.

In April 2022, my family suggested we attend the opening of an exhibition by Marisol Escobar, a French-Venezuelan artist whose name was vaguely familiar to me. I wasn’t particularly excited, but wanting to spend time with them, I agreed to go. Little did I know that this visit would leave an incredible mark on me.

The Center for Creative Photography presents Louis Carlos Bernal: Retrospectiva, a landmark survey of one of the most significant American photographers of the twentieth century.

The Armory Show is taking place from September 6^th to 8^th. The fair’s 30^th edition features over 235 galleries from 35 countries, showcasing artist projects in the Platform section, as well as highlights from sections Galleries, Focus, Solo and Presents, alongside presentation details for the Gramercy International Prize. Now part of the Frieze network, the Armory Show presents a revitalized program that offers a comprehensive view of the contemporary art world.

Future Imaginaries, the collective exhibition at The Autry Museum of the American West, explores the rise of Futurism in contemporary Indigenous art as a means of enduring colonial trauma, creating alternative futures and advocating for Indigenous technologies in a more inclusive present and sustainable future.

The Appearance: Art of the Asian Diaspora in Latin America & the Caribbean is the first exhibition in New York City at Americas Society to center the artistic production of the Asian diaspora in the region from the 1940s to the present. Focusing on postwar and contemporary art, the exhibition showcases the work of thirty artists from fifteen countries working in a range of artistic mediums including painting, sculpture, performance, photography, and video, to shed light into strategies and themes that resonate across a wide array of Asian diasporic practice throughout Latin America and the Caribbean.

Cultural Programs of the National Academy of Sciences announces Xavier Cortada: Climate Science Art a solo exhibition at Washington, D.C. featuring Miami-based artist Xavier Cortada's climate change-focused artwork from Miami-Dade County, Florida, and the North and South Poles, spanning from 2007 to the present.

Marisol: a retrospective is an itinerant exhibition on view at the Buffalo AKG Art Museum, featuring the collection of artworks Marisol kept in her personal possession and left to the museum.

The Museum of Contemporary Art of the Americas presented the exhibition Women Who I Could’ve Been, featuring the latest work of renowned artist Ana Albertina Delgado.

Grounded in the many meanings and ideas of “home,” This Must Be the Place is a major new exhibition at Walker Art Center showcasing works drawn from across the Walker’s dynamic collections.

Artist-led and conceptually driven, Teresita Fernández / Robert Smithson is a subjective, intergenerational conversation between two practices, pulling the past into the present. The exhibition at Site Santa Fe critically considers entanglements between place, site, seeing, and deep time through the artists’ mutual engagement with material intelligence, geological agency, and cartographic fictions.

Fifteen artists working across the United States and Puerto Rico have been awarded the 2024 Latinx Artist Fellowships by the U.S. Latinx Forum (USLAF), with $50,0000 in unrestricted funding and a year-long program of professional engagement opportunities.

The CAC Malaga hosts Milagro, the first solo exhibition in a museum of Mario Ayala (Los Angeles, USA, 1991), son of a Mexican-American mother and Cuban immigrant father, whose production reflects his personal experiences and artistic concerns of the world of garages, truck drivers and mechanics of Fontana.

Xican-a.o.x. Body in Pérez Art Museum Miami (PAMM) is the first major exhibition to showcase work by artists who foreground the body as a site of political agency and imagination, artistic investigation, decolonization, and alternative forms of community.

The exhibition in Jordan Schnitzer Mueum of Art Necroarchivos de las Américas: an unrelenting search for justice, examines artistic responses to violence instigated by state regimes across the Americas to disclose censored narratives, argue for the importance of artmaking as an act of memory and witnessing, advocate research, and seek justice.

Andres Serrano carries with him a sulfurous reputation that he has not tried to hide in this exhibition, where famous and forceful works are presented. Under the title “Portaits de L'Amérique” the Musée Maillol offers a survey of Serrano's “American” work from his earliest creations in the mid-1980s to his most recent.

Pine Meadow Ranch Center for Arts & Agriculture (PMRCAA) is inviting artists, ecological scientists and scholars whose work explores the theme of Care & Stewardship to apply for a 2025 residency in Sisters, Oregon (USA). Deadline to apply: June 30^th, 2024.

The Philip and Muriel Berman Museum of Art presents the tour of Enrique Bostelmann: Apertures and Borderscapes. The exhibition will be available from June 18 to December 15, 2024.

The Museum of Contemporary Art Chicago presented Virginia Jaramillo: Principle of Equivalence, the first major retrospective and largest monographic exhibition to date of the work of Virginia Jaramillo.

Art fairs and biennials inhabit the same artistic universe but serve distinct purposes. The former primarily functions as commercial hubs where artworks are bought and sold, whereas biennials act as global stages, celebrating the rich diversity of contemporary art.

The Denver Art Museum (DAM) presented Sandra Vásquez de la Horra: The Awake Volcanoes, the first solo show in a U.S. Museum for the Chilean artist, known for her participation at the 2022 Venice Biennale and being the recipient of the prestigious Käthe Kollwitz Prize for 2023.

ICA Boston presents Firelei Báez’s exhibition, the first North American show dedicated to the artist’s work.

Organized by Curator María Elena Ortiz, Surrealism and Us at Modern Art Museum of Forth Worth is inspired by the history of Surrealism in the Caribbean with connections to notions of the Afrosurreal in the United States. Representing a global perspective, this exhibition is the first intergenerational show dedicated to Caribbean and African diasporic art presented at the Modern.

Spirit in the Land at Pérez Art Museum Miami (PAMM) is a contemporary art exhibition that examines today’s urgent ecological concerns from a cultural perspective, demonstrating how intricately our identities and natural environments are intertwined.

The Modern Art Museum of Fort Worth presented Surrealism and Us: Caribbean and African Diasporic Artists since 1940.